This performance involves decorating funerary cakes while calling friends, relatives, and kin to talk about occasions where feeding people cake is contemporary tradition, verging on protocol.
Working with aesthetics informed by disability, this performance deliberately rejects the fetishization of “pushing one’s self” as an achievement in performance.
This performance is centered in knowledge transmission, language retention, and creative practice that will allow Carrie and future generations to learn Nêhiyawêwin.
The ninth and final iteration in an ongoing series, this performance continues his exploration of “enacted images (agierte Bilder)”, a term he is using since 1989 for his works.
While people all around the world are experiencing the effects of COVID-19, artist Jood Jung is living and working on a cow farm in Chiang Mai Province, Thailand.
Exploring the nuances of human failure, this performance places a single individual at the centre of humanities woes as it abstracts and contemplates what it means to “end” something.
The Ballad of Plastic Bags will livestream the journey of two plastic bags caught in the wind tunnel of my apartment’s almost deserted parking lot while a Figure of Pestilence lurks in the background.
This performance combines the elements of writing, music, and movement improv. Using face masks, hoarded groceries, and ribbons as props, the performance involves the artist singing poetry about being
To celebrate our 10th biennial, M:ST is connecting eight local and global arts organizations to host a series of month long residency exchanges leading up to the biennial.
A live stream performative art series created in response to the impact that our community members are experiencing worldwide due to COVID-19 pandemic related restrictions.
Born in Seoul, Korea, Jin-me Yoon immigrated to Vancouver in 1968 where she lives and works. Since 1992, she has been teaching in the Visual Art program at the School for the Contemporary Arts, Simon Fraser University.
