Performance

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Thursday, May 14 — 6:00pm MDT

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This performance involves decorating funerary cakes while calling friends, relatives, and kin to talk about occasions where feeding people cake is contemporary tradition, verging on protocol.

Performance

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Friday, May 8 — 10:00pm MDT

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Working with aesthetics informed by disability, this performance deliberately rejects the fetishization of “pushing one’s self” as an achievement in performance.

Performance

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Sunday, May 3 — 5:00pm MDT

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This performance is centered in knowledge transmission, language retention, and creative practice that will allow Carrie and future generations to learn Nêhiyawêwin.

Performance

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Sunday, April 26 — 1:00pm MDT

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The ninth and final iteration in an ongoing series, this performance continues his exploration of “enacted images (agierte Bilder)”, a term he is using since 1989 for his works.

Performance

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Thursday, April 23 — 6:00pm MDT

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A food-based performance blending self-isolation, food, and online gathering into a social nourishing and culinary performance.

Performance

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Wednesday, April 22 — 1:45am MDT

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While people all around the world are experiencing the effects of COVID-19, artist Jood Jung is living and working on a cow farm in Chiang Mai Province, Thailand.

Performance

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Sunday, April 12 — 7:00pm MDT

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Exploring the nuances of human failure, this performance places a single individual at the centre of humanities woes as it abstracts and contemplates what it means to “end” something.

Performance

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Wednesday, April 8 — 4:00am MDT

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The Ballad of Plastic Bags will livestream the journey of two plastic bags caught in the wind tunnel of my apartment’s almost deserted parking lot while a Figure of Pestilence lurks in the background.

Performance

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Monday, April 6 — 8:00pm MDT

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This work is based on a piece Julianne first performed by bringing a corner of their living room into a theatre, and later in other galleries.

Performance

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Wednesday, April 1 — 9:59am MDT

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This performance combines the elements of writing, music, and movement improv. Using face masks, hoarded groceries, and ribbons as props, the performance involves the artist singing poetry about being

Performance

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September 2 - 28, 2019

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Part of the Fare Trade fundraiser curated by Signy Holm. 2 cents cart is a mobile installation and performative artwork modeled after Asian street food and tea carts.

Performance

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Sunday, October 7, 2018 — 12:00pm - 5:00pm

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In the tradition of Impressionist paintings of white Europeans performing leisure activities, the performance imagines this for our ancestors who are no longer alive, as well as those that are.

Performance

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Sunday, October 7, 2018 — 11:00 AM – 1:08 PM

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This durational performance places common physical materials used in earthworks in relation to the artists' own physical body.

Performance

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Saturday, October 7, 2018 — 10:00pm

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Quotidian violence can be classified by its invisibility. The quotidian is such because it is perceived so often that one stops perceiving it.

Performance

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Saturday, October 6 — 8:00pm

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Love Me Like There’s No Tomorrow is a durational lip-syncing performance to the solo record, Mr. Bad Guy by Farrokh Bulsara.

Performance

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Saturday, October 6, 2018 — 8:00pm

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How to make an image is a duet between Eshan Rafi and a six-and-a-half-minute segment of archival video footage dealing with issues of representation.

Performance

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Friday, October 5 — 9:30pm

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Something is coming is a site specific sound performance which listens into the electrical grid.

Performance

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Friday, October 5, 2018, — 8:30pm

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This research-based performance examines normalized associations be­tween criminality and sound.

Performance

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Friday, October 5, 2018 — 7:00pm

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Jeneen Frei Njootli’s performance turns an ear to caribou antlers sounding the transmis­sion of embedded and layered ancestral knowledge.

Performance

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Friday, October 5, 2018 — 12:00pm - 2:30pm | Sunday, October 7, 2018 — 4:00pm - 6:30pm

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An individual and collective performative experiment: physiological relaxation as a basis for a conversation.

Performance

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Thursday, October 4, 2018 — 9:00pm

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In 2013, a long-buried and relatively obscure village was uncovered in a remote region of the Mediterranean. Researchers slowly unearthed increasingly bizarre artifacts and architecture.

Performance

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Thursday, October 4, 2018 — 7:30pm

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Performance by Jamie McDonald + Signy Holm as part of the Rita McKeough: Works - Publication Launch Event

Performance

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Thursday, October 4, 2018 — 7:20pm

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Performance by NIK as part of the Rita McKeough: Works - Publication Launch Event

Performance

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Thursday, October 4, 2018 — 7:10pm

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Performance by Toni Cormier as part of the Rita McKeough: Works - Publication Launch Event