M:ST 10 connects eight local and global arts organizations to host a series of month long residency exchanges leading up to the Biennial.

Alicia will join us during M:ST 10 as the Biennial Writer in Residence.

Conceptually, this sign mirrors the functional utility of a second neon sign that operates remotely in an undisclosed satellite location — where it is used as a generic advertising prompt for a local nail salon.

Assembled during the 2021 winter Covid-19 lockdowns, Richard Boulet’s contribution to The Blue Light is a work that began its process as a collaborative essay.

M:ST 10 connects eight local and global arts organizations to host a series of month long residency exchanges leading up to the Biennial.

Multiple Contributors

Unfolding durationally and spatially, as a socially activated thought-space, The Blue Light begins to circulate like a provisional interface in the staging of imaginary situations.

Explore the interactive online tour: M:ST Performative Art and TRUCK Contemporary Art present the newest and the fourth in a series of installations by artist Jin-me Yoon that explores the intersections of militarism, colonialism, and tourism.

Accessible on the main page of the M:ST website, crossing blue is influenced by Shyra DeSouza's move from Calgary to Berlin, and the kind of re-orientation process through which their practice has had to be translated as it shifted in-between these two global positions.

"To look and touch are two sides of the same objective. Sometimes a persons objective is simply to look but do not touch, or touch but do not see..."

The Blue Light backroom is an assemblage of discontinuous textualities. It is a thought that becomes a place. It changes forms. It remains unfixed, decentered and perpetually unmoored.

Join us for an artist talk and Q&A with Jin-me Yoon in conjunction with "Untunnelling Vision."

Drawing from the psychotropic properties of these plants*, the Kaffeeklatsch Scheinpräparat (30 mL) can be used like a portable, imaginary mind garden where one can nourish ongoing fictions and their potential to re-articulate spaces and situations from everyday life.

This performance involves decorating funerary cakes while calling friends, relatives, and kin to talk about occasions where feeding people cake is contemporary tradition, verging on protocol.

Working with aesthetics informed by disability, this performance deliberately rejects the fetishization of “pushing one’s self” as an achievement in performance.

This performance is centered in knowledge transmission, language retention, and creative practice that will allow Carrie and future generations to learn Nêhiyawêwin.

The ninth and final iteration in an ongoing series, this performance continues his exploration of “enacted images (agierte Bilder)," a term he has used since 1989 for his works.

A food-based performance blending self-isolation, food, and online gathering into a social nourishing and culinary performance.

While people all around the world are experiencing the effects of COVID-19, artist Jood Jung is living and working on a cow farm in Chiang Mai Province, Thailand.

Exploring the nuances of human failure, this performance places a single individual at the centre of humanities woes as it abstracts and contemplates what it means to “end” something.

The Ballad of Plastic Bags will livestream the journey of two plastic bags caught in the wind tunnel of my apartment’s almost deserted parking lot while a Figure of Pestilence lurks in the background.

This work is based on a piece Julianne first performed by bringing a corner of their living room into a theatre, and later in other galleries.

This performance combines the elements of writing, music, and movement improv. Using face masks, hoarded groceries, and ribbons as props, the performance involves the artist singing poetry about being

A live stream series created in response to the impact that our community is experiencing worldwide due to COVID-19 related restrictions.

Stephanie was hosted by Kamias Special Projects in the Philippines during the 3rd Kamias Triennial.